‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery • Cinephilia & Beyond
‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery • Cinephilia & Beyond
Nov 18, 2020
cinephiliabeyond.org
Zabriskie Point - 1970 - Michelangelo Antonioni full movie, HD
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Zabriskie Point - 1970 - Michelangelo Antonioni full movie, HD
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The Essentials: Michelangelo Antonioni's Best Films
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A beginner's guide to Michelangelo Antonioni's best films
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Blow-up (1966) Antonioni - Tennis game - Scene
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Blow-up (1966) Antonioni - Tennis game - Scene
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Zabriskie Point, 1970 by Michelangelo Antonioni
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Zabriskie Point, 1970 by Michelangelo Antonioni
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Michelangelo Antonioni’s 1966 English-language debut sets its scene in a London that’s less swinging than sleepwalking, with David Hemmings a blasé-decadent photographer who finds himself sucked into a vortex of political intrigue when he discovers that a casual snap taken at Maryon Park seems to contain evidence of a murder. BLOW-UP plays this weekend at Metrograph. | Metrograph
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Michelangelo Antonioni’s 1966 English-language debut sets its scene in a London that’s less swinging than sleepwalking, with David Hemmings a blasé-decadent photographer who finds himself sucked into a vortex of political intrigue when he discovers that a casual snap taken at Maryon Park seems to contain evidence of a murder. BLOW-UP plays this weekend at Metrograph. | Metrograph
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Persistence Of Cinema on Instagram: "Michelangelo Antonioni on Blow-Up (1966) #antonioni #michelangeloantonioni #cinema #film #movie #movies #cinematography #actor #films #art #hollywood #actress #cine #photography #filmmaking #director #filmmaker #cinephile #cinematic #netflix #criterioncollection #moviebuff #instamovies #cinephilecommunity #filmanalysis #blowup"
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Blow-up (1966) Antonioni - Model scene
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Michelangelo Antonioni on Actors and Acting: "It is not possible to have a real collaboration between actor and director. They work on two entirely different levels. The director owes no explanations to the actor except those of a very general nature about the people in the film. It is dangerous to discuss details. Sometimes the actor and director necessarily become enemies. The director must not compromise himself by revealing his intentions. The actor is a kind of Trojan horse in the citadel o
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