An image of the Dalai Lama gives diasporic texture to an otherwise anonymous suburban American house; the camera tracks to ...

When I first discovered the works of Jean Rouch, Robert Gardner, and Timothy Asch—academic anthropologists who opted to make ...

High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of that giant cockroach creature feature was the filmmaker crossing paths ...

Remembering her filmmaker father Charles B. Pierce, Dallas designer Amanda Squitiero first mentions the place he called home. “Arkansas claims him and he claimed Arkansas,” she says, having recently ...

Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of ...

In the 1999 mini-series Storm of the Century, a malevolent stranger (played by noted Canadian Colm Feore) shows up outside Stephen King’s longtime fictional community of Castle Rock and repeatedly ...

In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City. Behind the scenes, another superteam comprised of A24 alumni joined forces.

The conversation about documentary impact has undergone a number of shifts since impact producing began to emerge as a practice within the documentary field around 20 years ago. Today it is almost ...

For a film about the end of the world, Mare’s Nest is hardly lugubrious. Then again, you could say the same about Ben Rivers’s entire oeuvre. Few directors who’ve kicked off their careers after the ...