With music by Missy Mazzoli, “Lincoln in the Bardo” will be the first world première by a female composer at the Met since it ...

To make this film, I set out to solve a mystery,” Gibney says in the documentary. “How could Musk assume so much power, and ...

Denial, of course, has long been one of Trump’s signatures as a politician. But in this of all years it seems a bit of a ...

Translation is Carson’s primary art form. One way to describe it is as the art of sustained metaphor: a word in one language ...

It happens all the time now: two teams take one for the larger team that is the league, acting as particularly muscular ...

Nathan Fielder and Lance Oppenheim’s interrogation of Elizabeth Holmes, the disgraced Theranos founder, is a compelling ...

In Cristian Mungiu’s Palme d’Or-winning drama, starring Sebastian Stan and Renate Reinsve, a family of conservative Christian ...

Judith Thurman, who covers books and culture for The New Yorker, began contributing to the magazine in 1987 and has been a staff writer since 2000. Her subjects have included Emily Wilson’s radically ...

In Aaron Sorkin’s overwritten sequel to “The Social Network,” inspired performances by Mikey Madison and Jeremy Allen White ...

Powers in the Horn of Africa, the Middle East, and beyond are being drawn toward a conflict between political factions in ...

People often call money from the opioid settlement “blood money,” and you might expect that it would go mostly to the ...

The exchange that ensues is funny, pervy, and startling—and suddenly the play begins to glide along a fresh, unusual path, ...