Mark Jenkin turned the film world upside down with 2019's Bait, his socio-drama shot in black and white on a 16mm clockwork camera, and when he announced that his next film would be a folk horror set ...

Prior to this film, Due and other scholars observed that Black people in horror were only included as comic relief or to elevate white characters ... wellness will be on hand.

Before you watch up a wind-up monkey toy terrorize a bunch of adults, refresh yourself with other childhood toy agents of chaos ...

EXCLUSIVE: Dafydd Jones first went to Hollywood in the 1980s to take photographs for Vanity Fair. He would lurk, unfailingly polite and unobtrusive, and take pictures of the rich and famous. The ...

Ride the Australian New Wave to the present through these terrors.

High-minded pulp of an entertainingly spirited sort, The Gorge melds T.S. Elliott and the Ramones with sci-fi action-horror ...

Mundaun is a weird creepy little game with a The Lighthouse and Midsommar vibe to its strange hand-drawn tale. The black and white ... movie vibe you usually only see in Japanese horror games.

Sundance: Shot in black-and-white, this must-see documentary reflects ... The only glimpse of her we see is an outstretched hand, as if she’s reaching through her medium. And yet her viewpoint ...

Meera Menon’s Didn’t Die is a modern zombie movie that focuses on character dynamics instead of gore or horror. Read our Sundance 2025 review.

With Japan’s first full-colour film, Carmen Comes Home, screening around the UK, we dive into the luminous world of Japanese colour filmmaking in the 1950s and early 1960s.

From the Chilean filmmaker behind Jackie and Spencer, El Conde is a black-and-white horror ... zombie movie REC, going on to helm its two sequels. A decade later, Plaza turned his hand from ...

Filmmaker Steven Soderbergh has long been interested in experimenting with form. Using an iPhone to shoot movies like “Unsane” and “High Flying Bird;” recutting “Raiders of the Lost Ark” to be a black ...