In this quiet photo series, the viewer meets Bunny, a sharp and alert fellow who day-drinks, fills his notebooks to the brim and hears the voice of God. But movie cliches of mental disorders are ...
In artist and designer Zander Raymond’s studio, a lot of things are left lying around. Found materials, tools, images, stickers and paper waste all amass into a large pile of daily debris that has ...
UK branding studio The Click know that universities don’t compete on logos, but on belonging – that’s why they’ve designed a visual identity that is braver, not louder.
After a decade shaping the publication’s visual identity, the New York-based photographer turns inward with a five-year photobook exploring family and mortality.
Instrument’s CCO Nishat Akhtar speaks to the company’s 20 plus years in design and technology, and its history of being one step ahead of the game.
Showcasing the best in class for cutting edge motion design, the festival founded by Studio Dumbar/DEPT® is back for 2027, ...
Clare and Charlie Noon shed light on Conqueror Sans, and why their welcoming identity for one of the UK’s oldest historical sites makes a “decisive break from heritage convention”.
Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making ...
Your career is starting to feel stagnant and you know you’re staying in your comfort zone – how do you take steps to progress to the next level? Kat Wong offers her advice in this week’s Creative ...
A way of confronting the frictionless, highly automated nature of modern life, Dia de Feira (Fair Day), is a series that honours the bustling bodies and clashing senses of the local market.
Why inspiration feels harder to come by and how three types of creative ritual could be our strongest defence against the slow erosion of taste, attention, and intention.
The Christophers, a new Ian McKellan-starring film includes 16 ‘fake’ artworks by painter Barnaby Gorton. Our culture columnist Gary Grimes argues that this body of work isn’t so different from the ...