Unlike the Last Night of the Proms, which has developed its own mythology and status (thanks to the traditions that surround it), the First Night of the Proms is not bound by any particular structure ...
The climax to the Proms' Choral Day could only be George Frideric Handel's majestic Messiah. This 1789 arrangement by Mozart was performed by The Academy of St Martin in the Fields, joined by an ...
This article is brought to you by our exclusive subscriber partnership with our sister title USA Today, and has been written by our American colleagues. It does not necessarily reflect the view of The ...
The Proms has to be the greatest classical music festival on Earth, as welcoming to the nervous classical novice as it is to the cognoscenti. This year’s season has already delivered some ...
This article is brought to you by our exclusive subscriber partnership with our sister title USA Today, and has been written by our American colleagues. It does not necessarily reflect the view of The ...
Of all the abductions, this one is different.
Nina Stemme may have been the big draw, but Schumann was the real star in this lively Prom, conducted by Thomas Dausgaard. Dausgaard conducted luminous Sibelius, Ligeti and Langgaard with the Swedish ...
Still, if ever an opera were going to work in the cavernous Royal Albert Hall then it would be Les Troyens. First, there are the sheer forces involved, with its huge orchestra requiring three harps, ...
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