Bill Evans returns to Australia in October 2026 for a national tour and a new live album recording. He talks to Paul Cashmere about Miles Davis and Mick Jagger.

Six years after Concord Records released the massive 61-track “Everybody Still Digs Bill Evans: A Career Retrospective (1956-1980),” the label has issued a new collection by the late jazz piano great ...

Everybody certainly does dig Bill Evans in Everybody Digs Bill Evans, but nobody quite knows what the hell to do with him. The year is 1961, and the jazz legend (played flawlessly by Norway's Anders ...

Add Yahoo as a preferred source to see more of our stories on Google. The seductive opening sequence of Everybody Digs Bill Evans draws you in like a magnet. The improvised jazz drifting through the ...

Anders Danielsen Lie, Bill Pullman and Laurie Metcalf star in Grant Gee's Berlin Festival-winning biopic about the legendary jazz pianist. By Scott Roxborough Europe Bureau Chief Other international ...

A film about legendary jazz pianist Bill Evans that focuses on one of the most traumatic periods of his often torturous life got its premiere Friday at the Berlin Film Festival. The film, which is ...

The past five years have been a banner period for recordings drawn from the vast canon of Bill Evans work, encompassing both previously issued material and newly discovered performances. Adding to the ...

If you think listening to Bill Evans' albums is an emotional ride, imagine what it was like to play drums in his trio. Marty Morell [pictured] had that honor as a member of the pianist's trio for ...

Grant Gee ’s Everybody Digs Bill Evans is set to world-premiere in competition at the upcoming Berlinale (12-22 February – see the news), marking a high-profile return to the German gathering for ...

Bill Evans’ Interplay returns on Craft Recordings’ OJC vinyl. A quiet, well centered pressing reveals a hotter, more aggressive side of the quintet. “Continuing OJC’s commitment to quality, these ...

Add Yahoo as a preferred source to see more of our stories on Google. Grant Gee’s extraordinary, intimate and gloriously experimental film largely takes place in the summer of ’61, when Bob Dylan was ...